Ernst Krenek's compositions
reflect almost comprehensively the musical history of the 20th century, from
the end of the late romantic period through expressionism, twelve tone and series
techniques to electronic music and certain elements of aleatoric composition.
Early
period
- First string quartet
op. 6
- Second symphony op. 12
- "Der Sprung über
den Schatten" op. 17 (comic opera in three acts)
- Third string quartet,
op. 20
- "Orpheus und Eurydike"
op. 21 (opera in three acts)
- First violin concerto
op. 29
- "Jonny spielt auf"
op. 45 (opera in two parts)
Middle
period
- O Lacrymosa op. 48
- "Leben des Orest"
op. 60 (opera in five acts)
- Reisebuch aus den österreichischen
Alpen op. 62
- Durch die Nacht op. 67
- "Kehraus um St.
Stephan" op. 66 (satire with music in two parts)
- "Karl V." op.
73 (stage play with music in two parts)
- Sixth string quartet
op. 78
- Third Pianosonata op.
92/4
- Lamentatio Jeremiae Prophetae
op. 93
- Ballad of the Railraods
op. 98
- Santa Fé Timetable
op. 102 (for mixed choir)
- Symphonic Elegy op. 105
- "Medea" op.
129 (dramatic monologue for mezzo soprano and orchestra)
- "Pallas Athene weint"
op. 144 (opera in three acts)
- "Sestina" op.
161 (for soprano and orchestra)
Late
period
- "Chrysomallos"
or "Der goldene Bock" op. 186 (opera in four acts)
- Horizon Circled op. 196
- "Sardakai"
op. 206 (opera in eleven scenes)
- Late Harvest op. 218
- "The Dissembler"
op. 229 (monologue for baritone and chamber orchestra)
- Eighth string quartet
op. 233
- String trio op. 237
- Opus sine nomine op.
238 (for soloists, mixed choir and orchestra)
Several titles from his
abundant literary works should also be mentioned: in German, "Selbstdarstellung"
(1948), "Zwölfton-Kontrapunktstudien" (1952), "Zur Sprache
gebracht", "Im Zweifelsfalle" (1984), "Prosa, Dramen, Verse"
(1965) and, in English, "Music here and now" (1939), "Johannes
Ockeghem" (1952), "Horizons circled" (1974) and "Im Atem
der Zeit" (1998, Krenek's memoirs).